I'm really excited about the Winter 2012 programming for The Writing Life at The New York Society Library. The January events have already been announced to the membership in the e-newsletter that came out this week, but I thought I'd give the faithful blog readers a heads up on the rest...Don't forget to register, because spaces are limited.
The A-B-C's of E-Book Publishing
with: John Snyder, author of Hill of Beans; Joshua Tallent (Founder and CEO of eBook Architects); and bestselling author Parnell Hall.
January 10 at 10am, Members' Room
Free of charge. For Library members only.
Literary Magazine Salon
hosted by Adam Kirsch
January 18 at 6:30pm, Members' Room
$10. Open to the Public. Nonmembers can register by calling or emailing Events office at 212-288-6900 x230 or events@nysoclib.org
Celebrate the literary magazine at our third annual Salon, featuring food and wine, conversation, visual presentations, and readings. Editors of The Paris Review and Triple Canopy will discuss thoughts on literature old and new, on the page and on the Web.
Blurb is a Verb! Adventures (and Misadventures) in Book Publicity
February 14 at 10am, Whitridge Room
Free of charge. For Library members only.
Sarah Pinneo is the author of the popular blog Blurb is a Verb!, in which she shares true (and sometimes terrible) stories of book publicity gone right (and wrong). In this talk, the self-described publishing nerd will reveal what she's learned about online book publicity, book bloggers, social media, bookstore events, working with your in-house publicist, and how to find your audience.
Close Reading: The Craft of Reading Fiction Like a Writer
with: Dylan Landis
March 13 at 10am, Whitridge Room
Free of charge. For Library members only.
In this session we'll take the first chapter of Daniel Woodrell's novel Winter's Bone, read it aloud one sentence or paragraph at a time, and hold each part up to the light. Close reading is a slow, surprisingly exciting process. It reveals how a writer does the critical jobs of storytelling: creates conflict, ramps up tension, reveals and deepens character, establishes place and time, anchors a world in sensory detail, and moves the story forward. Through close reading we refine our ability to learn, as writers, the craft of fiction from the authors we admire.
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